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Lead Graffiti

120 A Sandy Drive, Sandy Brae Industrial Park
Newark DE 19711
Phone Number
a letterpress lab of sorts

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Lead Graffiti

  • about
    • intro
    • bios
    • 12 DNA projects
    • callouts
    • our lab
    • contact
  • calendar
  • store
    • subscriptions
    • workshops
    • fine press books
    • broadsides & posters
    • cards
    • Cinderella stamps
    • Blank books by Lead Graffiti
    • Blank books by Anne Hessel
    • Tour de Lead Graffiti 2011-15
    • letterpress things for sale
    • New Products
  • workshops
    • STUDIO SUBSCRIPTIONS
    • TECHNICAL LETTERPRESS
    • . . basic type composition
    • . . vandercook
    • . . iron hand press
    • . . floor-model platens
    • . . week-long letterpress
    • CREATIVE LETTERPRESS explained
    • . . meander book online
    • . . werkman druksels
    • . . quotable broadside
    • . . holiday card
    • press rental
    • BOOKMAKING explained
    • . . bookmaking basics
    • . . 6-pocket accordion
    • . . one day one book
    • . . coptic stitch
    • . . clamshell
    • . . paste paper
    • . . bookmaking bonanza
  • blog
  • search

Alan Kitching VCUK letterpress workshops

August 2, 2018 Ray Nichols
Broadside size : 25.25” x 35.25”

Broadside size : 25.25” x 35.25”

In late 2000 or early 2001, before our interest in printing slowly and patiently via letterpress, germinated, Bill Deering and I had a group of Visual communications students on the field trip to Ogilvy, an advertising agency in New York City. We had set up to meet with Nigel Kent, Ogilvy’s Director of Typography. Nigel was from London and we were in the process of scheduling our first VCUK trip that summer. We asked if he could suggest anyone outstanding that could talk to our group about typography. One of the main mantras of the trip was that after the experience “we wanted the students to hear their type hitting the paper when they were designing.”

Nigel suggested an instructor at the Royal College of Art named Alan Kitching. We didn’t know it at the time, but Alan was a superstar in London. After we got to London, Bill called him to set up a visit. Alan said we could come by his Clerkenwell studio, but that his shop was small. We set up to visit during a 4-day break we had scheduled to allow a chance for interested students to travel on their own, so most would likely be out of London.

The studio was a completely fun visit for about 6 of us. We asked Alan if he was willing to do some kind of letterpress workshop the following summer. So, on VCUK’02 we did the broadside below of an alphabet poem.

As Kitching’s studio was small, the students worked in 3 groups, with everyone choosing a wooden letter and setting its line of text, choosing from 6 or 8 cases of type Alan had set out. We weren’t confident the students would like working in a different century, but 80% of the students picked the workshop as their favorite visit of the 35 visits we scheduled for the trip. Letterpress was officially on our agenda and all of us could hear the type hitting the paper a lot clearer.

Broadside size : 12.25” x 33”

Broadside size : 12.25” x 33”

After another of our visits in 2002 was to the St. Bride Printing Library and Jill and I were hooked. We wrote a booh about our letterpress addiction entitled, “The Librarian Made Us Do It.” We came back with a plan to start a letterpress studio, which we named Raven Press at the University of Delaware. We’ve been doing letterpress ever since.

The image at the top was the resulting broadside from the Kitching workshop in 2003. The broadside below was from the summer of 2004.

Broadside size : 23.75” x 34”

Broadside size : 23.75” x 34”

I’ll just throw in this portrait of Alan talking at Central St. Martins showing a full-page newspaper ad he produced via letterpress. It is one of my favorite portraits I’ve taken of letterpress printers.

vcuk04-kitching-talk-0623-20.jpg




← Alone in Berlin with a stack of blank postcards72 point Empire metal type →

Our Lead Graffiti blog is a mass of varied information that is hard to understand. The search option in the top navigation works quite well if you can hit the right keyword (s). In this sidebar, we’ve highlighted some personally meaningful entries that might help if you want to try a couple of entries. To DEEP DIVE, scroll down the left column.

2025

Postcards, political signs, and protest
Liar, Liar.
Just do it!
Bernie Herman

2024

"Ink Pulls:" the hows and whys
Family holiday card workshop
“Liar, Liar.”+3 broadsides @ NAA exhibit
Waldorf diplomas / 2024
More on X-ing the Paragrab
”Concertina spine” book workshop
Lead Graffiti labyrinth
Jill, Ray, & Brodovitch @ the Barnes

2023

Forward for “X-ing the Paragrab”
UCBA member IMHO Meander Mook project
Black History is White History broadside
AIGA / Philadelphia Feedback broadside
Dunya Mikhail “Pronouns” broadside
etaoin shrdlu
Seven Fun Facts about the Linotype

2022

DCAD First-year talks
Cy Twombley. It’s just my opinion anyway.
”No more war. No more Putin.” broadside
Buying our Albion : that story
January 6th assault broadside

2021

Waldorf School of Philadelphia diplomas
Teleport broadside
ONLINE MEANDER BOOK letterpress workshop

2020

A design example of subtle racism
Looking back : Histories of Newark : 1758-2008
Retrospective exhibition at DCAD
Broadside : Black Lives Matter. A lot.

2019

A wonderful film about Ben Joosten
People Were Close (2004 book project)
WHYY-TV / Waldorf School of Philadelphia
What would a good student do?

2018
Alone in Berlin : postcard power
Doves’ type : metal & digital
“Blue Wave” broadside
John Bolton / Lead Graffiti connection
Alan Kitching’s VCUK workshops
U.S. Senators postcard mailing (coming)

2017
Four things you might want to know about Ray
Introducing Stephen Frykholm at AIGA

2016

Saul Bass. A no-show.
Burning Man & Lead Graffiti’s journal
Chris Fritton, The Itinerant Printer
Porter Garnets’s 10 commandments

2015
Best Intertype project #2 : round calendar
The Nash Equilibrium

2014
WHYY-TV’s Best of 2014
London Bombing’s 7th Anniversary

2013
Tour de Lead Graffiti. Sports Illustrated.
Grant Hart. Letterpress printer?
July 4th revolution coasters

2012
Thank You, Craig Cutler

2011
APHA National annual meeting program

2008
Designing Lead Graffiti’s logo
Art Directors Club of NY Grandmasters Award

2004
VCUK’s Alan Kitching letterpress workshops
VC family album pages

2003
Alan Fletcher : Raven Press logo origin
Bukva:raz! - Our first serious piece

2001
Visiting Eric Gill’s Gravesite