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Lead Graffiti

120 A Sandy Drive, Sandy Brae Industrial Park
Newark DE 19711
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a letterpress lab of sorts

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Lead Graffiti

  • about
    • intro
    • bios
    • 12 DNA projects
    • callouts
    • our lab
    • contact
  • calendar
  • store
    • subscriptions
    • workshops
    • fine press books
    • broadsides & posters
    • cards
    • Cinderella stamps
    • Blank books by Lead Graffiti
    • Blank books by Anne Hessel
    • Tour de Lead Graffiti 2011-15
    • letterpress things for sale
    • New Products
  • workshops
    • STUDIO SUBSCRIPTIONS
    • TECHNICAL LETTERPRESS
    • . . basic type composition
    • . . vandercook
    • . . iron hand press
    • . . floor-model platens
    • . . week-long letterpress
    • CREATIVE LETTERPRESS explained
    • . . meander book online
    • . . werkman druksels
    • . . quotable broadside
    • . . holiday card
    • press rental
    • BOOKMAKING explained
    • . . bookmaking basics
    • . . 6-pocket accordion
    • . . one day one book
    • . . coptic stitch
    • . . clamshell
    • . . paste paper
    • . . bookmaking bonanza
  • blog
  • search

John Bolton : The WH / Lead Graffiti connection

March 23, 2018 Ray Nichols
global-agenda-bolton.jpg

Unexpectedly the creative life of Lead Graffiti has crossed paths with the political life of the Trump White House. On March 22, 2018, Donald Trump chose John Bolton, a controversial former U.S. ambassador to the United Nations, as his national security advisor. Back in 2005, as Ray and Jill were starting to feel comfortable with the process of letterpress, an opportunity to produce a creative poster series fell into their laps.

Ralph Begleiter, a former CNN journalist, was the director of a University of Delaware speaker series entitled Global Agenda. The program, which originated in 2002, invited speakers to talk about a political theme, which in 2005 was entitled  "Rx for the President." The final speaker scheduled that year was John Bolton, who had just been nominated by then-President George W. Bush to be the U.S. ambassador to the United Nations.  That nomination was extremely controversial (due in no small part to Bolton's belligerent views and military action) and was a probable contributing factor toward Bolton canceling his talk. Fortunately, we had already done the posters.

The controversy surrounding Bolton and his nuclear threats topic provided a lot of impetus in producing a visually powerful poster that would be memorable. The resulting poster has always been one of Ray's favorites. It includes hand rolled wood type we often do, along with Jill's prior hand rolling of the background sheet. We wanted to capture a sense of the swirling arguments and also to provide a powerful poster to bookendthe series.

The posters were 18" x 24" and produced in an edition of about 70 prints. Six posters in this style were produced for the 2005 series, but this one really stood out to us. Back in our early years of letterpress, this poster was a tipping point for us.

It is often easy to encourage students to take on additional work to give you extra experiences to print and experiment and add a printed piece to your portfolio. This particular project was a big one for us and we already had a pretty good portfolio.

I suspect we should say, "Stay tuned on this one."

A thought for students and faculty : We got this project which provide us with a nice series of broadsides for our portfolio along with some seriously good printing experience simply by asking.

  • It isn't unreasonable that you could find an excuse at your univeristy to do something similar. We've had people who really didn't know how to letterpress well enough to take on a project like this, to simply add the cost of our technical Vandercook workshop to the project and come learn how to do it from someone that an pass that along to you.

  • We didn't make any money as all plates and supplies were paid for, but it didn't cost us any money either. We just wanted the experience.

  • We got connected to some very interesting people.

  • There was good pressure to print them well

  • A great way to learn is to do something over and essentially we got to do that 6 times

  • Additionally, we did this speaker series 3 other years (this was the only one done with letterpress).

Click on the image below to cycle through 5 of the 7 posters we produced for this series. Our favorite is Bolton and we wouldn't have gotten to it if we hadn't done 7 broadsides. After 14 years John Bolton is still in the thick of American politics.

Click on the image below to cycle through the 5 posters in the series.

global-agenda-salbi.jpg global-agenda-chandrasekaran.jpg global-agenda-martel-killebrew.jpg global-agenda-sherman.jpg global-agenda-bolton.jpg

PRODUCTION NOTE : For 400 or so sheets that would make up all 7 images, we hand rolled that bit of color for the medicine bottle label first, then printed the photographic image using a photopolymer image, and then printed the top text above the speaker's name to using handset metal type. This added work at the start but reduced it when we had to do a new poster every two weeks.

For one of the other years we created an animation for the start of each talk. We'll try to get that uploaded here sometime. If you are interested, pressure us.

A great opportunity that was ours just for asking.

Tags students, projects
← The actual March for Our LivesMarch for Our Lives / 03.24.18 →

Our Lead Graffiti blog is a mass of varied information that is hard to understand. The search option in the top navigation works quite well if you can hit the right keyword (s). In this sidebar, we’ve highlighted some personally meaningful entries that might help if you want to try a couple of entries. To DEEP DIVE, scroll down the left column.

2025

Postcards, political signs, and protest
Liar, Liar.
Just do it!
Bernie Herman

2024

"Ink Pulls:" the hows and whys
Family holiday card workshop
“Liar, Liar.”+3 broadsides @ NAA exhibit
Waldorf diplomas / 2024
More on X-ing the Paragrab
”Concertina spine” book workshop
Lead Graffiti labyrinth
Jill, Ray, & Brodovitch @ the Barnes

2023

Forward for “X-ing the Paragrab”
UCBA member IMHO Meander Mook project
Black History is White History broadside
AIGA / Philadelphia Feedback broadside
Dunya Mikhail “Pronouns” broadside
etaoin shrdlu
Seven Fun Facts about the Linotype

2022

DCAD First-year talks
Cy Twombley. It’s just my opinion anyway.
”No more war. No more Putin.” broadside
Buying our Albion : that story
January 6th assault broadside

2021

Waldorf School of Philadelphia diplomas
Teleport broadside
ONLINE MEANDER BOOK letterpress workshop

2020

A design example of subtle racism
Looking back : Histories of Newark : 1758-2008
Retrospective exhibition at DCAD
Broadside : Black Lives Matter. A lot.

2019

A wonderful film about Ben Joosten
People Were Close (2004 book project)
WHYY-TV / Waldorf School of Philadelphia
What would a good student do?

2018
Alone in Berlin : postcard power
Doves’ type : metal & digital
“Blue Wave” broadside
John Bolton / Lead Graffiti connection
Alan Kitching’s VCUK workshops
U.S. Senators postcard mailing (coming)

2017
Four things you might want to know about Ray
Introducing Stephen Frykholm at AIGA

2016

Saul Bass. A no-show.
Burning Man & Lead Graffiti’s journal
Chris Fritton, The Itinerant Printer
Porter Garnets’s 10 commandments

2015
Best Intertype project #2 : round calendar
The Nash Equilibrium

2014
WHYY-TV’s Best of 2014
London Bombing’s 7th Anniversary

2013
Tour de Lead Graffiti. Sports Illustrated.
Grant Hart. Letterpress printer?
July 4th revolution coasters

2012
Thank You, Craig Cutler

2011
APHA National annual meeting program

2008
Designing Lead Graffiti’s logo
Art Directors Club of NY Grandmasters Award

2004
VCUK’s Alan Kitching letterpress workshops
VC family album pages

2003
Alan Fletcher : Raven Press logo origin
Bukva:raz! - Our first serious piece

2001
Visiting Eric Gill’s Gravesite